Dan Schaumann

Posts Tagged ‘Music’

Walczac

I was very happy recently to hear from my Twitter friend, Danuta Muszynska, who had written a translation of my song The Fighter into her native Polish tongue, called Walczac

Walczac
(© 2011 Danuta Muszynska)

Walka trwa – nieba w sercu z pieklem, ktore widz? oczy twe
ogien zgasl – blizn? zostawil, leku pragniesz dla duszy jej
i zaprzeczasz – choc sam dzwigasz ciezar ten – odwrocic chcesz los
czysta milosc odzyskac chcesz, ktora dawno ukradlo cos

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The Place Where I Once Was

Just a little song I wrote yesterday… I hope you enjoy it.

 

httpv://www.youtube.com/watch?v=Eps41fISt7Y

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Paradise (The Earth Is On Our Side)

It’s just another day inside this paradise
A side of everything you’d hoped for
The invitation is an open card
Extend it to your friends and come inside

Oh the light inside it fills those fragile minds
It shimmers on the vital edge of all that dies
And if it edges up to you
No need to think about it

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Diary Of A Busker

In May 2010 I got myself a busking licence and decided to hit the streets of Sydney to get back into the swing of all things musical – and also to try an earn a little bit of tax-free cash on the side, of course  After only a few sessions I’ve come to realise it’s an enjoyable, mind-opening pasttime, perfect for getting my performance chops back up to scratch, which is what I need if I want to start gigging again after I release my upcoming album.  Yet on the other hand it’s also highly challenging and disconcerting, especially considering I used to play music professionally, where for much less effort, I earned about a hundred times more than what I’ve banked out on the streets!

So here, I have decided to notate my experiences as I foray into the world of amateur, cover-and-original-singing, acoustic-guitar-playing street performance.  Come with me and find out about the songs I sing, the people I meet, the enjoyment, the disappointment, and the coinage – or should I say, the lack thereof!

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Days Of Karma

*you can download a demo recording of this song here

You don’t know intuition like the dark don’t know the sun
And what’s not known is fabricated firm
Trust my premonition of the hours having won
And settling in

A dormant revolution lies awaiting birth to come
But what’s not known is still fabricated firm
An evil eye, a parasite, my powers are overcome
And settling in

Lacking the days of karma
You bought the wine instead
How can you be happy with that cloud above your bed?

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Demos

Throughout 2010 I laid down some demos of a few new songs on my trusty home recording desk, in preparation for recording my album in October. The studio recording has been done now, but here are a couple of those demos for you to listen to.

DEMO #1: The Tree That Took My Love

- 7th February, 2010

I wrote this about a tree in London that I was sat under as her heartbreaking words shattered my life to pieces.

Click here to listen to the demo MP3

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Mumford & Sons (Awakened My Soul)

I find that every twelve to eighteen months, a song is released which overwhelms me with inspiration the moment its soundwaves first brush against my eardrums.

This happened around eighteen months ago while I was in England, when I was lucky enough to hear Brakes by Royworld for the first time (but that’s another story). It didn’t happen again until October of this year, during my second week living in Sydney. I’d just moved into my new apartment the day before and I was on my way back home from my second day at my new job, my earphones loudly blasting my favourite radio station, Triple J, as I walked toward the train station. A distinctly Australian hip-hop song was playing, I can’t remember which band it was, but I was paying more attention to the people, buildings and cars that were around me than I was paying to the music.

The hip-hop song faded away, and all of a sudden, I was graced with an almost hesitant-sounding open acoustic D minor chord, resolving up to the F and followed shortly by drums, bass and a few banjo strums. I was instantly hooked by the natural, folksy tonality, before even a word had been sung. I listened intently, my awareness of the outside world shrinking as my earphones delivered a melody which made my hair stand on end. By the time the harmonic chorus kicked in, I’d stopped in the middle of the path, unable to continue on until this song had come to an end, and I’d discovered who on earth were playing this incredible piece of music. I was soon to learn that the song was Little Lion Man, by London folk/rock band, Mumford & Sons:

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Escape From Sweethearts

If you’re Australian, chances are you’ve heard the song Breakfast At Sweethearts by legendary Aussie band, Cold Chisel. Written by Don Walker, sung by Jimmy Barnes, and backed by the rest of his Cold Chisel bandmates, Breakfast At Sweethearts was the title track of their 1979 album that epitomized life at the time in the inner Sydney suburb of Kings Cross. Infamous for being Sydney’s red light district, a walk down the main street of Kings Cross today still takes you past countless adult shops, strip clubs, bars and nightclubs, albeit a much more tourist-influenced scene today that what it would have been back in its heyday.

I have always been fascinated by Kings Cross. As a matter of fact, my all time favourite book, Sex ‘n’ Thugs ‘n’ Rock ‘n’ Roll by musician Billy Thorpe, was set in the Cross, which details a year of his life living in the area from 1963-64. I felt so captured by the vibe of Billy’s and Don Walker’s narratives, that for one of my English assignments in year 12, I wrote a spin-off story called “Escape from Sweethearts,” where I tried to put myself in the shoes of Anne-Maria, the Sweethearts waitress mentioned in the song. I would like to share this story with you, but before I do that I must go on a pilgrimage.

Incidentally, I am writing this from a hostel in Orwell Street, just a couple of blocks away from the main drag of Kings Cross. I’ve been based here for the past ten days since my return from the UK, and I’ve often wondered to myself whilst meandering through the streets, where did Billy Thorpe live? Where did Don Walker live? Where was Surf City, the venue where Billy played his legendary first gigs with his band the Aztecs? What kind of antics did the Cold Chisel boys get up to in the early hours of their Saturday nights, “walking into Sunday?” What was Kings Cross really like back in those days? Where exactly was the Sweethearts Cafe?!?

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Things I Will Miss About The UK

THINGS I WILL MISS ABOUT THE UK:
* Coleman’s mustard
* Lincolnshire sausage
* The slow food market by the Embankment… mmm spit roast hog, garlic hummus and pigeon!
* Eating organically
* Rachel’s organic Greek style yoghurt with honey, and the Coconut yoghurt as well
* Puccino’s hot chocolate
* Jaffa cakes
* Chocolate that tastes ever so slightly different to Australian chocolate
* Digestives
* (The innocence of originally thinking that Digestives were tablets to help relieve indigestion)
* Yorkshire puddings
* Toad in the hole
* Fish & chips on the Brighton pier on cold winter days

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Ben Lee: Much Respect To You

Last Wednesday night I went out to IndigO2 (a venue inside the Millennium dome at Greenwich, London) because O2 had kindly put on a free gig headlined by Australia’s very own singer/songwriter extraordinaire, Ben Lee. Who can’t say no to a free gig?

I’ve always been a fan of Ben, not a die-hard fan or anything, but enough to appreciate his sentiment and follow his career over the years. I’d seen him perform once before in Brisbane back in 2005, not long after he released Awake Is The New Sleep, and I left the gig quite impressed with his showmanship and his ability to work the crowd. He was most definitely a born entertainer.

His gig the other night was no exception to this – from the moment he walked on stage he had the audience in the palm of his hand. He quipped about the set list he’d scribbled on the back of a packet of Sainsbury’s hummous, before taking us on a philosophical journey of his beloved pop music. He brought us back to his breakthrough song of 1998 where he wished we were all wrong, then he regrouped by inviting us all to take part in this together. By the end of his performance the crowd had clearly caught his disease, and we all walked off into the dark with a sense of coming so close to a ripe, numbing sensation of no guilt and all pleasure.

Song-lyric puns aside, there was one tune in particular that Ben sang which really, really intrigued me. I’d never heard it before, and at the time I was under the impression that he had written it himself. I found out later that it was written by a guy called Kristopher Roe and originally recorded by the band he fronts, the Ataris, who I remembered from a few years ago when they did that version of Don Henley’s Boys Of Summer. The song by the Ataris that I’m referring to here, though, is aptly entitled Ben Lee, and the lyrics are as follows:

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